Media Technology

PODcasting, academia and XM Radio

There’s a recent buzz around what’s being called PODcasting, wrapping web audio with whatever wrappers are necessary to make them convinient to link in a blog and download to your MP3 player of choice for later listening. (See Doc Searls’ explanation for a nice intro.)

It’s a nice meme, and having gotten a lot out of my own browsing through audio links I hope it catches on. I find it interesting and not that surprising that the PODcasting meme seems seems to mostly involve pointing to educational and intellectual audio rather than the music that drove the P2P music-sharing revolution. Music briefly had its day on the Web, but was rapidly driven off by commercial interests worried overtly about piracy and covertly about both piracy and competition. Education has both a different culture and economic structure, and while educators and lecturers like to make money somehow there’s a much deeper understanding that giving away our best ideas is often in our own best interests.

Unfortunately, even in the academic and public-radio world it looks like we’re in a meta-stable state, with many sites offering only streaming audio due to either legacy licensing issues or presumably to maintain some control on distribution. Once the technology to record off a stream becomes ubiquitous (as it surely will), will the remaining barriers to recording and rebroadcasting the audio be enough to placate people who want to distribute their content for free but not let it run wild?

Regardless, this whole thing just reconfirms my original skepticism at the long-term viability of XM Radio as a basic technology. Here we are in the age of personalized, on-demand, time-shifted and place-shifted content… and XM Radio is offering a capital-intensive satellite-based broadcast solution. Maybe I’m underestimating the value of live, up-to-the-minute news and information, and maybe I’m underestimating the long-term value of a big company that can afford to make deals with the RIAA, but I just don’t get it…

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The next question?

I was on a panel on wearable computing a couple days ago, and an interesting question came up:

Ten years ago, when you picked up the phone you asked Who is it?

Today, with cell phones and Caller ID, you pick up the phone and ask Where are you?

What question will be asked ten years from now?

My guess is that even when you meet someone face-to-face you’ll ask Who are you with?, with the assumption that your friend might have invisible cyberspace tagalongs with her and that it might not be polite to butt in on the middle of their conversation.

Other condenders?

The next question? Read More »

Time to change the locks?

Ed Felton has been blogging on the partial “cracks” (collisions) found in the MD5 and SHA-1 hash functions that are being reported at Crypto 2004.

Felton’s brief analysis:

Where does this leave us? MD5 is fatally wounded; its use will be phased out. SHA-1 is still alive but the vultures are circling. A gradual transition away from SHA-1 will now start. The first stage will be a debate about alternatives, leading (I hope) to a consensus among practicing cryptographers about what the substitute will be.

Note to self: design my systems so it’s possible to update crypto algorithms in all my legacy data, should the need arise.

Time to change the locks? Read More »

NPUC 2004 trip report

Every year Dan Russell at IBM Almaden hosts a small one-day workshop for HCI and related researchers to schmooze and talk a particular subject. This year’s topic was near & dear to my heart: what do we do with WAAAY too much information? The first half of the day featured talks from what Dan jokingly described as “people making the problem worse,” the second half dealt with specific methods for trying to understand huge amounts of information.

My trip report is now online for anyone who’s interested. Dan also promised that the conference video will be posted online — I’ll post a link when it’s up.

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Comments on Apple v. Real

My friend Nick ‘Rawhide’ Matsakis had some insightful comments on my question about Apple v. Real, and since I’ve somehow broken my comments form (grumblings on MovableType to come later) and he’s a grad-student-with-no-time-for-his-own-blog™ I’m posting them here.

The way I see it, there are three parts to Apple music triumvirate: The iPod, the iTunes Content Store, and the Fairplay format (AAC+DRM). Each of these support the other two in a devilish lock-in scheme. Customers don’t appear to mind this lockin so much since the Apple solutions are all in the top of their class and arguably best of breed.

Despite many competitors, no one else has this kind of seamless experience and there is still no one who can. Sony has crashed and burned (see here) and Microsoft will no doubt have an excellent music store, but the only player they have announced is a $400+ media center thingy that plays movies and shows pictures. Meanwhile, Apple will sell millions of iPods this Christmas, with the $250 Mini leading the charge.

Also, despite claims of being proprietary, Apple has opened up this triumvirate. HP will begin selling iPods in a few weeks, Motorola will begin selling Fairplay-enabled cell phones next year, and Audible.com has been selling spoken-word content on iTunes for 9 months. So, what is the problem with Real making its content play on the iPod? The iPod is clearly the big moneymaker for Apple, so making it be able to play more content should only be a good thing, right?

On its face, yes, but I think there are two issues here. The first is one of control. Apple has ‘opened’ up its triumvirate, but only a tiny crack and only in ways that 1) are strategic for Apple and 2) maintain the quality of the experience for users (at least Steve Jobs’ vision of a quality experience). Having Real have access to the iPod doesn’t appear to offer either of these.

More iPod content is good, but the engineering effort required to maintain interoperability is better spent working with the likes of HP and Motorola, which will each bring the Apple solution to millions of customers (perpetuating the lock-in, etc.) Likewise, the deals with HP and Audible have maintained Apple’s control over the experience. I’d be surprised if the Motorola phones didn’t have an Apple-designed media player that enforced the Apple brand in its appearance and operation.

Also, more importantly, Real is a real competitor to Quicktime in the online streaming media domain. Apple would probably be very happy if Real disappeared completely, offering them a bigger slice of the cross-platform content-creation platform.

In short, I think this is all about Real, and the results might have been much different if another company had approached Apple trying to license fairplay. Personally, I want to think Apple is being foolish in not trying to get a broader base form MPEG-4/AAC over WMA. However, I think they are adopting the Microsoft battle plan: grab as much land as possible in the beginning then rent it to the rest of the world at a profit. This plan hurts consumers, but I think it is the only way that Apple will be able to hold off the onslaught of Microsoft.

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Why is Apple upset about Harmony on iPods?

This whole Real-Networks v. Apple flap over the iPod has me scratching my head. On the surface it’s the age-old fight we always see when one company makes money by giving away the razors and selling the blades and another company tries to “free load” and sell their own blades. What confuses me here is that Apple makes most of its profit from selling the razors (iPods), and very little from selling the blades (songs on their iMusic site). (Their Q3 revenue on iPods was 3-4 times their revenue from the iTunes Music Store, and my unfounded guess is that the profit margin is also a lot higher than the estimated ten-cents-on-the-dollar they make on each $0.99 iTunes sale.) That’s one of the things I’ve always liked about Apple’s digital-hub strategy — unlike Sony, they don’t have to be all schitzo about whether they’re an electronics company or a content provider.

So assuming they expect to remain the portable-player market leader based on the merits of the iPod’s design rather than format lock-in (bad assumption?) then why get bent out of shape that someone else is trying to make their product better?

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Netscape Calendar discontinued without warning

Users of the Netscape Calendar service had an unpleasant surprise this morning: a note informing them that the service was no longer available and that Netscape apologizes “for any inconvenience this may cause.” Small consolation for my coworker who lost access to all his appointments, upcoming talks and meetings for the coming year. A call to Netscape was equally helpful — they were sorry, but quickly pointed out that this had been a free service and that their Terms of Service agreement clearly stats they can discontinue it at any time without warning. When asked why they didn’t warn customers in advance, the support person made some comment about how when they warned people in advance about changes to their email service they got lots of complaints, so this time they didn’t want to warn anyone. And no, there isn’t any way for him to recover his data. Eit.

I’ll leave speculation as to why Netscape took this action and what it means about the health & direction of the company to others — for me there are two lessons to be learned here. One is that even a trustworthy good-guy company like Netscape can be bought up or go bankrupt without warning. In the end our valuable data is our own responsibility, and we need to insist on the ability to keep and store local copies of our data in non-proprietary formats. This is exactly why a friend of mine refused to use her Gmail account until she installed PGtGM, a program that lets her keep local backups of her Gmail archive.

The second lesson is for companies who provide Web services: even if you think of yourself as a good guy company and always have the customer’s interests at heart, you won’t be trusted — and shouldn’t be trusted — without real safeguards in place to insure us in the event that you go belly up or turn to the dark side. Even the nicest Web-service company takes collateral damage when someone in the industry does wrong. You need to assure us that our data is safe and is owned by us, not just through words, but by enacting strong legally-binding assurances in your Terms of Service & Privacy Statement, by giving us the ability to export our data, by embracing open standards, and in many cases by making your software open source so we can still use and modify it if you go away. If you do these things and play right by us, we’ll gladly use your service and often either subscribe to your premium service or click on your banner ads. If you don’t, we’ll equally gladly shift over to your competitors who do.

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Article on PR People and blogs

Micro Persuasion has re-posted an interesting article from a public-relations industry newsletter: It’s Time to Take Blogs Seriously — and Maybe to Develop One of Your Own.

Some highlights:

“To those people who still think that blogs are ‘loose cannons,’ I’d say that they should embrace the revolution, or become cannon fodder,” says [Shift Communications principal Todd] Defren.

Some of the rules [Microsoft blogger Robert Scoble] suggests in his manifesto should be followed by anyone who wants to run a corporate weblog:

  • Tell the truth
  • Post fast on good news or bad
  • Use a human voice
  • Have a thick skin
  • If you screw up, acknowledge it
  • If you don’t have the answers, say so
  • Never lie
  • Never hide information
  • Link to your competitors and be nice to them

“The empowering nature of the Internet will allow users to blog with or without corporate permission,” Defren says. “The blogger who is encouraged with tools, freedom, and a few simple rules-of-the-road becomes a valuable advocate for the company. The blogger whose ambitions are repudiated simply sets up shop at home and spends their free time gossiping about the company’s embarrassing hiccups.”

All sounds like good advice — and much nicer for those of us on the receiving end of their messages than the alternative “always be sincere, whether you mean it or not” line we sometimes get.

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How to Make a Guerrilla Documentary

The New York Times Magazine’s How to Make a Guerrilla Documentary article about the production of Outfoxed has everything you could ask for in a story about Internet-era guerrilla media: footage gathered by recording Fox News 24/7 for six months straight, volunteer watchdogs identifying and categorizing clips via email, simultaneous editing by five different editors coordinated over a secure Web site, even the risk of being sued for Copyright infringement as a way of silencing the work. Throw in Web distribution, coast-to-coast kick-off house parties organized by MoveOn.org, and commentary clips available for download over BitTorrent and what do you get? A hard-hitting political documentary, produced in only four and a half months for only $300,000.

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